So long and farewell

Posted in General with tags on July 16, 2018 by Kate Jack

Well, my friends, it’s been a blast sharing my thoughts on various things, mostly writing, with you, but it’s time to move on. Over the next few weeks I’ll be transferring my blog to my website at: so please feel free to come join me.

Thanks for all the likes and comments over the years and hope to see you soon 🙂


What’s in a name?

Posted in Writing with tags , , , , , on March 14, 2017 by Kate Jack

There are various ways of choosing names for your characters. For example calling them after someone you know, or perhaps a TV personality, film star, or even “collecting” names from gravestones, or consulting the Yellow pages and even the telephone directory 🙂

I once worked as a data processor for a famous catalogue, recording the details of people who’d entered a competition the company was holding at the time. Wow! What a treasure trove that turned out to be! Not only were there unusual names aplenty, there was also a plethora of location names to inspire story lines. This proved a great resource, but not wishing to infringe anyone’s privacy, I always altered names slightly to produce my own version and never used anyone’s actual location details. Instead I’d combine place names to come up with completely fictional scenarios.

The first book of The Silver Flute TrilogyLand of Midnight Days, was set in a city. I deliberately didn’t give it a name, but garnered the details of its streets and buildings from locations in Liverpool city centre, my own home town. One of them was St Luke’s church, as pictured above. This building was bombed during the Second World War. It’s always fascinated me because the damage caused was to the interior only, leaving the outer walls more or less intact.

Once I’d created a backdrop, I then moved onto creating the occupants of my fictional city. I decided to call my main protagonist Jeremiah Tully  and gifted him with the ability to play the flute. The reason for this was because I love the 70’s rock band, Jethro Tull. Once I’d decided on the direction the stories were going to take, I thought long and hard about the other characters’ names and decided on a “biblical” theme, in order to enhance the epic feel of the stories. For example: Zebediah and Ezra are two of the names I chose. However, I didn’t want the narrative to be bogged down by too many elaborate names and most of the other protagonists and antagonists have ordinary names such as Joseph, Helen, and so on. I also made up the names: Thrace, Sylvan, Questial and Elawyn. Since I write YA urban fantasy, I had a fair amount of freedom to embellish my characters with wide ranging monikers. 

Of course it does depend, to a certain degree, what names can be used, depending on the genre you write in. That said, there are millions of “real-life” beautiful and unusual names to pick from, in order to make your characters memorable to the reader. Along with great, three-dimensional personalities, a writer can make a huge impression, enabling people to engage with your work.

The Silver Flute Trilogy

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Which is more fun to write…

Posted in Writing with tags , , , , on March 13, 2017 by Kate Jack

…Heroes or Villains? 

Personally I love writing the latter. As writers it’s our job to produce characters that intrigue the reader, and to raise questions about them that lead the reader on, until they gain the answers. Yes, I do evolve characters that have no redeeming features at all, such as Ezra, one of the main protagonists in Land of Midnight Days, but I also like to create characters that, on the surface, could be bad, should be bad and maybe are. In other words, I like to insert a little bit of uncertainty in the readers’ minds. 

With Ezra there’s no doubt about his evilness, but his real persona is hidden quite deep. Why is he the way he is? Why does he follow a certain pattern? Why is he afraid of  a woman who appears to be no physical threat to him? The answers to these questions are gradually revealed, as the story progresses.

In the second book of The Silver Flute Trilogy Through The Gloaming, we come across another character, called Thrace. He is an enigma, within a mystery, wrapped up in a puzzle. He is a brother in the Dark Monks. However, despite his apparent calling, there is something sinister about him. His past is steeped in bloodshed, war, chaos and mayhem. So how did he become part of an order that seeks only to do good? Is he hiding from someone? 

Dawn Horizon, the third book in The Silver Flute Trilogy heralds the appearance of  Elawyn. Initially it’s unclear as to whether she’ll turn out to be good or bad. She’s bitter, resentful and petulant, with some reason. However, she does change over the course of the story, evolving as she becomes more familiar with her fellow travellers. But does she change for the better, or does she betray her companions and send them to their doom? She is beautiful, but does her beauty disguise a degenerate spirit, or is it an outward display of who she really is?

I had a great deal of fun creating these people, moulding them into what I wanted them to be. That said, some of them seemed to take over their own creation, sometimes turning into something altogether different from what I’d originally intended 🙂

So how did I decide on names, physical appearance, and character traits? Well, I created “character sheets” for each of them. These are basically lists, outlining all of the above so that I ended up with a vivid mental picture in my mind, each time I wrote about them. Character sheets are also handy to consult, if you’ve not written about a character for a long time. It helps with continuity, keeping the character consistent and three dimensional. 

So, my friends, go forth and create. People your worlds with unforgettable characters that will entrance, appal, cause your readers to love, hate and long to read more. But above all have fun doing it. 🙂

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The Silver Flute Trilogy


From your point of view…

Posted in Writing with tags , , , , on March 12, 2017 by Kate Jack

From what point of view do you write? Your own, as the narrator? Multiple characters? Or first person? Personally I find it quite hard to write first person, as it’s too restrictive for me and it’s quite difficult to indicate what any of the other characters are thinking. Yes, you can use facial expressions, body language and so on, but for me I run the risk of becoming repetitive. I also feel that my hands are tied and become bored and frustrated as a result.

These days the fashion seems to be to write from a single point of view, rather than several, as this is supposed to confuse the reader. To change POV, the writer is supposed to move onto another chapter, or scenario to avoid this confusion. I find that opinion a little patronising, as I’ve read several books written from multiple POVs, within one chapter or scenario, and if it’s done skilfully, I find it’s not a problem to follow what’s going on. An example of this is the brilliant fantasy writer, Sir Terry Pratchett. He changes POV constantly, especially with internal dialogue, and he does it so well, there is no problem knowing who is “speaking.” Having said that, a writer has to be extremely clever to achieve this.

So from what POV do I write? Well, for the sake of my sanity, I usually follow the current trend, a single POV, only changing it in the next chapter or scenario. Why? Because I don’t have the skill to not confuse the reader. At one time I was “head hopping” by the second, this resulted in laboured narrative and dialogue, plus comments that my writing was a “headache” and reading it was like “wading through treacle ” A plethora of adverbs 

Why did I finally settle on my style of writing? It was all down to my university lecturer, when I was doing my MA in creative writing. He explained it like this: Imagine that each character is wearing a camera on their shoulder. When you are writing from that character’s POV, only indicate what that camera,  or the character, can see or hear. This helped me immensely and stopped me from making my character’s get inside each other’s heads.

So, whatever POV you write from, make sure it’s clear to your readers who’s doing what and why, and the world will be your oyster 🙂


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A plethora of adverbs, adjectives, gerunds & so forth.

Posted in Writing with tags , , , , on March 11, 2017 by Kate Jack

Which one of these descriptive passages do you find easier to read? Which flows better?

Totally terrified, she ran through the forest of trees, her heart thudding loudly in her chest. Tripping and stumbling, she staggered onward, totally exhausted.

Filled with terror, she ran through the forest; her heart thudded in her chest. Tree roots almost caused her to trip, but she stumbled on, near to total collapse.  

They both say the same thing, but the first passage is slowed down by overuse of adverbs and repetition. For instance the word “totally” is quite unnecessary; either’s she’s terrified or she’s not.

“A forest of trees?” This is an example of repetition; the word “forest” is sufficient to describe the character’s surrounding.

“Her heart thudding loudly in her chest?” This is definitely overkill. The word “Thud” indicates that her heart is racing with fear and sounds loud to her, as it will reverberate in her ears.

“Tripping and stumbling, she staggered onward, totally exhausted.” This sentence contains two gerunds, words ending in ing, and the adverb “totally”, plus repetition in the form of “stumbling, and staggered.” 

When I first began to write, most of my descriptive passages were littered with overuse of adverbs, adjectives, gerunds and so on. They slowed the story right down and caused any readers I was lucky to get to give up. My writing was described as a “headache” and “like wading through treacle.”

Of course adverbs, etc, have their place; it’s impossible to do without them, but they should be used sparingly. The saying: “less is more” might be a cliche, but like most cliches, it’s also true. 🙂 AMZN UK AMZN US

What’s in a difference?

Posted in Writing with tags , , on February 19, 2017 by Kate Jack


As an author of YA urban fantasy, I use some of the criteria that applies to fantasy overall. For example, my characters have a goal or quest they must fulfil in order to achieve their destiny. They have certain powers that help them in their journey. They fight mythical creatures and they combat weird and horrifying enemies who get in their way.

midnight 2

But of course thousands of writers do the same, no matter what genre they write in. So what did I do to make my work different? Well, the lead protagonist in The Silver Flute Trilogy is mute. How did I make him communicate, not only with his fellow characters, but with the readers too? Obviously it was neither practical or desirable to use swathes of description of sign language, apart from the odd gesture. I overcame this by simply not putting inverted comments around his dialogue, but instead made sure any speaking he did was in its own space, so readers weren’t forced to try and separate dialogue from narrative. Furthermore, when he had a flashback, or needed to use his powers to find anyone or communicate with someone who wasn’t actually with him, I used short passages of italics. This indicated to the reader what was going on and kept them in the story, without the need for a huge info-dump, thus bogging the story down. Instead, they would see through his eyes and “witness” what he was witnessing. By making him mute, I found a vehicle to make life more difficult for him and as he was also mixed race, a “reason” for society to make him an outcast.

gloaming 1

In the second book, one of the main protagonists was a monk. So what? Well the difference in this character is that he’s not only a monk, but a former demon warrior. He finds an unlikely affinity with one of the female characters, who possesses a singing voice so pure, it can bring enemies to their knees.

dawn horizon

In the final story, the heroes find themselves trapped in a world filled with demons and monsters. Using their combined powers, they bring about the downfall of this place, after having fought off a human/dragon hybrid. Although this may sound a typical fantasy device to propel the tale to its conclusion, I tried to make the main antagonist, who’s a demon, somewhat different. He is concerned with status in a world where only the most ambitious and ruthless survive. He is full of doubts and terrors, hardly the normal emotions of a demon, and although he chose to be what he is and be where he is, he gradually comes to realise he’s made a huge mistake.

silver flute trilogy

As you can see I’ve endeavoured to make my books stand out from the crowd. Have I succeeded? Well that’s for the reader to decide 🙂 AMZN UK AMZN US


Time to put things “Write”

Posted in Writing with tags , , , , on January 16, 2017 by Kate Jack


What with one thing and another, 2016 was not a good year for me. For a start I’ve done practically no writing at all, apart from the odd blog post and a few apathetic attempts to work on my current wip, book one of The Songstress Trilogy.  The only reasons I can give for this lack of productivity are a scarcity of energy, due to problems at work. They’re making cut backs and have reallocated so many tasks from my department, that we sit around watching the fingers on the clock drag themselves around at a pace that makes a snail look speedy. Boredom, as you know, can sap the life out of a person and make them disinclined to do anything of much; at least that’s the case with me.


Then I had health issues. I suffer from type 2 diabetes and somehow managed to get a diabetic ulcer on the underside of my left big toe. This became infected and despite large quantities of super antibiotics, it continued to deteriorate. Subsequently the toe had to be removed, which resulted in being trapped in hospital for four weeks, not the best place to write for two reasons: firstly, they don’t encourage you to bring in expensive items like laptops, as there’s no real security (the lockers don’t lock) and secondly, I always seemed to end up in the bed next to someone who snored like a stegosaurus.


So after four weeks of sleep deprivation, hospital food, and cabin fever, I went home to yet more confinement, as I was not allowed to put any weight on my foot. Was I fed up? Did I succumb to yet  more apathy? You betcha!


Anyway, this tale of woe actually has a happy ending. Why? Because due to the aforementioned cut backs, the opportunity for early retirement  came along and despite my missing toe, I pole vaulted onto the wagon and put my bid for freedom in.

Chain breaking

So yes folks, I’m breaking the chains of my incarceration and heading for the glorious occupation of writing and creating – there’s nothing like it 😀

kj 2


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