The Land of Midnight Days.

Posted in Novel extract with tags , , on February 14, 2012 by Kate Jack

THE LAND OF MIDNIGHT DAYS

By

K.A.Jack

1

 

Don’t look back; it’ll slow you down – just run.     

     The city had become the worst of urban jungles. Hunters ruled unchecked as Jeremiah Tully, running for his life, could testify.

     He fled down yet another street and saw a small crowd ahead, gathered around a figure standing on an upturned crate. He came to a halt, unsure which way to turn. Then the man on the crate began to speak.

     ‘Brothers and sisters,’ he intoned, arms raised high,’ join me in my cause to rid this place of impurity. Let us drive out the iniquitous and send them back to their holes and dens.’

     A poster hung on some nearby railings. Black letters on a white background blazed forth their message of hate:

Free the city of impurity, drive out the lower races and non-human filth. Unite in a glorious cause to restore our freedom!

     That the speaker was demon-possessed there was no doubt, but the crowd surrounding him hung on his every word.

     Jeremiah heard the sounds of pursuit from behind and a quick glance showed a group of youths racing along the pavement.

     Ever since he’d left The Crack o’ Dawn pub they’d chased him through the dark, narrow streets, determined to bring him down. His pursuers were Wannabees, members of a fraternity dedicated to the destruction of those who were different; and he was different all right. Not only did his ancestry include membership of the last of the magical races, the once nomadic tribes of Elwyns, but he’d compounded his felony by being half-human as well. Not that the Wannabes were aware of that. All they saw was an Elwyn, with pale skin, silver eyes and slender-than-usual build.

     Blind panic threatened to overcome Jeremiah, until he spotted a fire escape attached to the side of an abandoned warehouse. He hauled himself up, hand over hand, feet slipping and sliding on the wet steps. At the top he paused, hunched over, as he panted for breath. Damp hair hung in tangles over his face and his heart hammered against his ribs.

     ‘There he is!’

     His pursuers were still after him; with a sound of despair he fled.

     Coils of wire, broken packing cases, and old pipes littered the flat, waterlogged roof. He wove his way between the rubbish, until forced to halt at the parapet on the opposite side. A pair of rusty metal bars clung to the brickwork; the rest of the ladder had fallen away. Some fifty metres below, the ground seemed to rush upwards. He lurched back, fighting off an onslaught of vertigo. No use calling for help. Even if he’d been able to, no one would answer.

     ‘Come on, we’ve got him!’

     Jeremiah looked over at the adjacent building and tried to gauge the distance – maybe ten metres.

     His pursuers were almost on him. He snatched up a piece of pipe and hurled it at the nearest; it caught him across the midriff and he went down, taking two others along for the ride. Their tangled bodies forced the rest to pull up.

     ‘You stupid sods, what d’you wanna do that for!’

     A second glance at the other warehouse told Jeremiah he had no option. He backed up a little and then raced forward. When his feet hit the edge of the roof, he pushed off into space and overshot the ledge of the next building. He landed hard and winded, curled into a foetal position.

      A string of curses drifted from across the way and he forced himself to look up. Gathered at the periphery of the roof he’d just leapt from, the Wannabes continued to rant and threaten, but didn’t dare follow. For the moment he was safe.

     Jeremiah shrugged off his leather backpack, took out a bulky pouch, opened it and stared at the gleaming silver contents.

     Thank heavens it wasn’t damaged.

     Ignoring the stream of abuse, he replaced the pouch in the bag and

ran off into the darkness.

*

Dawn had broken by the time he reached home. Tall, narrow and shabby, the dwelling stood at the end of a row of mid-Victorian houses. Despite its condition it still retained an air of faded elegance.

     Next door stood the remnants of a church, its once fine structure full of overgrown bushes and nettles. Its steeple reared towards the sky, as if pointing the way home.  Even devoid of glass, the graceful arches of the windows clung on to remnants of their original beauty. The wind whistled through the ruined interior as though mourning its demise.

     Jeremiah jogged past the church, up the steps of the end house, where he paused to glance over the road. As expected, a pale oval appeared at a hole in the downstairs window of the opposite house. Chin on hand, wispy fair hair tied in bunches, the child lifted her face to the clouds.

     ‘“Rain, rain go away, come again another day,”’ she intoned, making the little rhyme sound more like a funeral dirge. Her reedy voice drifted across to where Jeremiah watched and listened.

     She lowered her head again, gaze seemingly fixed on him. One side of her thin face displayed a puckered and angry red scar, the result of a raid by a gang of Street Warriors. They’d set the fire that had not only disfigured her, but also taken her sight.      Jeremiah sighed and turned away. He knew the reason why the little girl spent so much time perched there night after night, when she should be in bed. She was waiting for it to come out of its den.

     Forcing the warped front door open, he stepped into the hallway.

     In his room, at the furthest end of the top landing, he took out the pouch and dropped the backpack on the floor. He glanced round and shivered; despite the winter cold he wore only a threadbare sweater, shabby jeans, and trainers that had seen better days. He took a seat on the bed, the single piece of furniture the room contained, and emptied out the pouch’s contents. The silver pieces glittered with breath-taking beauty.

     When it was assembled, Jeremiah turned it slowly round and round, staring in wonder at the Elwyn musical notes etched on its surface. He knew, from what a friend once told him, that they were the key to something powerful and dangerous, but also something wonderful. Jeremiah had never been able to bring himself to play them, afraid of what would happen. Maybe one day soon he would, just not yet.

     The melody was in two parts: a march that would sweep the listener along, the second demanded total obedience of mind, body and soul. Jeremiah knew this because he’d “performed” it over and over in his head, so clearly he could almost hear the actual music.

     His thoughts strengthened his desire to hear the instrument’s voice again. He held the flute to his lips but stopped short. All too aware of the consequences if he did, he nevertheless struggled to resist the temptation. Life held so little to be glad about, so little to look forward to. He glanced down at the instrument… apart from this.

     He clutched it to his chest and felt a surge of pleasure thrill through him. All his life he’d been shoved around and told what to do. He’d never been allowed to discover his identity as an individual, until the flute came into his possession. He more than loved it – he cherished it. It provided him with a sense of purpose, a reason to go on. He released a sigh. All the same there must be more, but he was damned if he could fathom out what. There was just a vague feeling that the flute held the answer.

     He started to disassemble it, but his fingers were numb from the cold.  Afraid of damaging the instrument, he put it down on the bed, drawing the worn blanket over it – out of sight, out of mind.  His face twitched. It didn’t work like that; he needed the music to sustain him. 

     Don’t be a fool. You know what’ll happen and this time it could be more than just a slap across the face. He threatened to break your arm last time and if he does, what’ll you do then?

     On and on the inner conflict raged, back and forth, temptation against common sense until Jeremiah could stand it no longer. 

     Temptation won.

     He rubbed his hands together to restore their circulation, then snatched the flute from its hiding place.

     Eyes closed, he began to play a soulful lament of his own composition. Exquisite beyond description, the music filled the drab room with magic that took the form of specks of silver, shaped like musical notes. Jeremiah kept this particular aptitude to himself. Already considered an outsider, if such a talent became public knowledge, it would only make his situation worse. There were other things he could do too. He could conjure up light in dark places and sometimes found himself inside people’s thoughts, able to see and hear their memories as if he’d been there. The drawback was the sounds and images were always traumatic. Take last night, for instance.

     As he’d fled his tormentors, his head became filled with their feral longings. The Wannabes’ inner voices clashed and tangled with each other and added to the terror.

     I’m gonna tear that stinking Elwyn apart… ‘Break every bone in his body… Piece of filth! Who does he think he is, livin’ ‘ere with decent folk… Why doesn’t ‘e go back where he belongs!

     On and on it went, their hatred like a blade sunk between his shoulder blades. .

     Sparkling in the morning light, the notes drove away the painful memory. Moments like this were rare and precious, they helped transcend the misery that was his lot.

*

Downstairs, to the left of the main entrance, a door led into a small room. The occupant of the iron-framed bed issued a series of snorts and grunts then heaved himself upright.

     From beady eyes, still puffy with sleep, he looked around the bare, damp-patterned walls and took a deep breath. The stench in the room would have choked a horse, but he didn’t mind; it wouldn’t be home without a bit of atmosphere. He never understood why people objected to odours. His personal scent of stale whisky, mingled with sweat and tobacco, formed part of who he was.

     Ezra laid back, a cavernous yawn stretching his jaws. He stared at the ceiling and tried to gather energy enough to rise. Another bloody day amongst the damned and stupid; on the other hand it did present certain opportunities.

     Owner of the dwelling, he charged exorbitant rents to occupy the rats’ nest, laughingly labelled a boarding house. If anyone fell behind, they were out; simple as that. Due to the national housing shortage, accommodation was hard to come by. If some people couldn’t pay, others could; it depended on how desperate they were.

     No one knew Ezra’s age, he didn’t himself. Ever since he’d arrived in this city, some years ago, there’d been gaps in his memory. He found it hard to recall his life before he came here. Oh there were brief flashes, but they slipped away as fast as they came. Not that it bothered him – the past was the past – all that mattered was today and what could be squeezed out of it. Grabbing money from whatever source he could got him out of bed in the morning. It gave him power and made him master of his own life.

      He rubbed at his face so hard it made his jowls wobble. Stubby fingers raked through greasy, unwashed hair and the low slung forehead creased in a frown as Ezra blinked the sleep from his eyes.

     The man’s decrepit facade was deceptive, for if ever an ogre existed it was he. More than capable with his fists, he welcomed any excuse to pound in a face or break a limb or two. His reputation brought him constant delight. Fear was meat and drink.

     He swung his legs out of bed, belched, after which he pulled crumpled clothes over a grubby vest and long underpants. A bottle of whisky was snatched from a nearby table and several mouthfuls chugged down.

     Breakfast over, Ezra wiped the back of a hand across his mouth and peered into the flyblown mirror hung on the wall behind the table. Yellowed teeth bared in a smile, he raised the bottle in a mock toast and prepared to take another swig, when the voice of the flute drifted down from the upper regions of the house.

    An expression of fury etched itself onto Ezra’s face. ‘Shut that damn row up!’ he yelled, as he yanked the door open.

     When the music continued, Ezra dragged his carcass up flight after flight of stairs. Bad enough he had to put up with that racket at all, let alone in his own house. The stupid little sod knew that and yet here he was at it again. Well this time he’d shut him up for good.

     Even as the thought took shape, he hesitated; best go easy. Not sure why, Ezra only knew the boy was important in some way. Hazy memory tried to remind him, but all he knew was that there’d be consequences – catastrophic consequences if he killed Jeremiah.

     He sighed; easy it was then.

***

2

 As the music rose to a crescendo, the door to Jeremiah’s room crashed open. The magic notes, created by the instrument, shattered into splinters and then coalesced into a stream of pure white light, which winked out.

     Jeremiah stared in terror as Ezra strode towards him. A punch landed on his right arm and the flute flew from his grasp.

     ‘I’ve warned you about that racket before, you little sod!’ 

     A backhanded slap sent Jeremiah to the floor. Hand held to his cheek he didn’t dare meet Ezra’s gaze. With a growl, the old man turned his attention to the flute. Seeing his intent, Jeremiah rolled onto his side and managed to grab it before the booted foot came down on his hand. Ezra ground his heel in. Jeremiah gasped with pain, but refused to relinquish his hold.

     Fist raised in warning, Ezra stepped back. ‘If I hear that thing again, I’ll shove it down your throat.’ He wiped the spittle from his lips. ‘I don’t ask for much, just a bit of peace and quiet.’ He waved a stubby finger in Jeremiah’s face. ‘Well mark this boyo, keep it up and it’s arse kicking time.’ He marched out.

     Hand still throbbing, Jeremiah dropped the flute onto the unmade bed. It shone in the weak light, undamaged and as beautiful as ever. Its silver body, with the curious scrollwork etched into its surface, reflected the colour of its owner’s eyes.

     He read the inscribed melody again and wondered for the millionth time what it meant. Given that Ezra detested music of all kinds, what would happen if the composition was played? Would it send him over the edge, perhaps give him a heart attack? No such luck. But maybe, just maybe, it would be worth a try sometime. Anger flared. If only a way did exist to finish the old git off once and for all. 

     Jeremiah tucked his hair behind ears that were slightly pointed, then lifted a hand to his cheek again. All well and good to imagine such things and yes many in this city lived by violence, but he detested it. What he really wanted was a life free of pain and fear.

     A sound of breaking glass made a mockery of his wish. He went to the window and watched three hooded youths throwing stones at someone’s house. Bottom dragging along the floor, the front door juddered open and a stocky man appeared, a baseball bat clutched in one hand.

     ‘Bugger off!’ he roared and brought the bat down hard enough to raise chips of stone from the pavement.

     Their laughter and jeers echoed down the street, as the youths ran away. Slapping the bat into his palm, the householder remained on the doorstep until they were out of sight, then returned inside. Jeremiah shrugged; violence or apathy, not much of a choice.

    He reached under the bed and tugged out a cardboard box filled with odds and ends. Amongst them lay a children’s picture book. Jeremiah blew dust off the cover and gazed down at the gaudy scene printed on it. It showed a forest clearing, ringed with wooden caravans, painted in bright colours. At the centre of the campsite a fire burned and a group of adults, dressed in silk shirts, flouncy dresses and velvet pantaloons, sat around it. Children ran amongst their elders, faces filled with happiness. He trailed his fingers over the illustration, filled with wistfulness. “Elwyn fairytales for young and old,” the book’s title read; and that’s just what the picture and the stories were – fairytales.

     Jeremiah rubbed his eyes. He needed sleep. It would soon be time to go out again and earn some money, but he just didn’t have the energy. He shrugged. No point in thinking like that, it wasn’t as if there was a choice.

     Since the age of ten he’d scraped a living playing the flute on the streets, in the hope that passersby would throw him a coin or two. Ezra was a wealthy man, but as soon as he realised Jeremiah could pay his own way, ceased to provide even basic necessities from then on. To add insult to injury, he also took part of whatever money was made as “rent” for this miserable room. If there’d been anywhere else to go Jeremiah would have left, but few landlords would allow an Elwyn to live on their premises. Anyway the cost of rent would be even higher than he already paid.

      At seventeen years old he knew how to survive, but not how to live. His main source of income came from playing in the local pubs and clubs and last night he’d had the “good luck” to find a job at a place called The Crack ‘o Dawn. Housed in a semi-derelict building that overlooked the river, it wasn’t an ideal venue. Many a fight broke out there, sometimes with fatal results; but desperation and hunger were powerful motivators.

     Everything would’ve been fine if it hadn’t been for those scumbags. They’d jeered and pelted him with beer mats and empty crisp packets. One of them even went so far as to urinate in a beer glass, then hurl the contents at him. He’d managed to dodge aside, but it still spattered over one of his sleeves. Jeremiah grimaced down at the offending cuff and wrinkled his nose. Fat chance of making any money today, he stunk to high heaven. 

     Try as he might to concentrate, the rest of the performance descended further into farce. The Wannabees’ catcalls and jeers continued until the landlord threw them out. As he’d watched them leave, Jeremiah knew they’d be on the lookout for him.      

     He rubbed his sore hand and returned to the window to stare down at the potholed street again. Once paid, he’d left through the back door of the pub. This didn’t fool the Wannabees. One of them, stationed at the rear of the place, alerted his cronies the second he spotted Jeremiah.

     Nausea rose at the memory of how narrow the escape had been. That leap across to the other building had given Jeremiah nightmares. Just one slip on the wet surface would have meant the end. It was always like this, having to endure the contempt, the bigotry; he felt worn out with it. And yet a feeling – something he couldn’t define – drove him on. He told himself, day in, day out, that it wouldn’t always be like this. Better times were just over the horizon.

     Jeremiah shook his head. Maybe it was all a pipe dream, a device to fool himself with; but still the belief that some kind of destiny awaited him persisted. Whatever it turned out to be, it would lift him out of the doldrums into a golden world where…

     His shoulders slumped and with the flute cradled in his arms, he resumed his seat on the bed.

     The single constant in his life was music.

***

 3

 The hours dragged by and day turned once again into night. Still filled with melancholy after a day spent busking, Jeremiah made his way to a local nightclub called The Den. He stood in the doorway and looked around.

     The damp cellar was wreathed in cigarette smoke, as somehow befitted its night-time status. Whitewashed plaster flaked from the crumbling brick walls. Littered with cigarette stubs and stained by vomit, the stone-flagged floor was a minefield of filth. Spilled drinks and spit added to disgusting mess, along with a tang of urine where some of the patrons hadn’t made it to the facilities. Muted conversations were interspersed by the clink of glasses and the pouring of drinks. Candles, stuck in bottles, provided the only light. This wasn’t an attempt to create ambiance, it was more about the conservation of electricity. None of the clientele complained. After all, it wasn’t as if they’d be welcome anywhere else.

     As if to illustrate this, a quarrel broke out at a nearby table.

     ‘You cheating scumbag, where’d that card come from?’

     The accused man leaned towards his fellow poker player, lip curled in a snarl. ‘Whaddya mean I’m cheating, it’s you that’s got aces stashed up yer sleeves!’

     Things threatened to get out of hand, as the two men glared at each other until one of the other players nodded towards the bar.

     Ezra leaned against the counter. He didn’t move, didn’t even blink, but the look he sent across the room proved more than enough; the would be combatants sank back into their seats.

     Satisfaction plastered across his greasy jowls, Ezra smiled. Jeremiah glowered at him. Typical – the sod just loved lording it over people; that’s how he’d managed to “acquire” this dump in the first place. It’d been taken from one of his associates in lieu of a debt and was only one of many investments. It also happened to be his favourite.     

     Jeremiah’s gaze travelled to the other end of the bar where a number of women, all colours shapes and sizes, stood. Most of them were Norms, but to his chagrin there were also a few Elwyns, barred from their clans for various offences. Once nomadic, a few still clung to the old ways, but as pollution became wide-spread, and towns and cities grew ever larger, the tribal traditions were dying out. The Elwyns were the last of the four magical races. All the rest had either vanished without explanation, or been driven away never to be seen again.

     Tall and slender, with eyes of unusual colours, the Elwyn women fascinated the average Norm male, despite fraternisation between the two races being discouraged. Yet in spite of this unwritten edict, many a man could be seen leaving with a slim purple or yellow-eyed beauty on his arm. Silver-eyed women were rare, but when available were always snapped up.    

     A minority of the patrons were down and outs and spent the last of their money on drink to drown their sorrows, which again suited Ezra fine. Their loss was his gain. The majority, on the other hand, were sailors on shore leave. Flush with backdated pay, they were keen to spend their wealth and eyed the women as if they were choice goods. Jeremiah moved down the steps into the cellar. Norm hypocrisy never ceased to amaze him.    

     As he walked towards the bar, he could feel Ezra’s glare burn into the back of his neck.

     ‘Bloody little sod, you’re late. I’d take it out of your hide if I thought it’d do any good.’

     Despite his hostility towards the flute, the old hypocrite had long ago learned to turn Jeremiah’s talent to his own advantage, by having him play two or three times a week at the club. Most of the patrons were happy to pay for a little entertainment and since money was the old man’s god, he could just about put up with the annoyance the music caused him.

     Jeremiah hunched his shoulders against the threat, moved further down the bar, and slid a coin across the counter. The barman, familiar with his habits, plonked down a glass of water. He drained his drink. Busking in the city all day, with little success, made him feel worn out and dispirited. After last night he didn’t dare go near any of the pubs for awhile, but money was still needed.

     Although appreciated his music brought him no respect, people still treated him like mixed-race scum. They called him names such as: “Dumbo,” or “Crip-tongue” and labelled him stupid just because he had no words. Norms, who didn’t know his background, assumed from his slender build and silver eyes that he was a full-blooded Elwyn; the Elwyns, whether they knew the story or not, seemed to sense his “impurity,” and ostracised him. Because of this and the fact he couldn’t speak, Jeremiah had become somewhat isolated.

     He tried to swallow down the hated self-pity, but it rose again along with memories of his only friend. In desperate need of comfort, he called on his ability to summon up memories so real, they were almost three dimensional. His mind drifted back to his first meeting with the only person who’d showed some interest in him…

 

…The summer sun had turned the city centre into a place alive with people. Balmy weather and blue skies were reflected by the good humour of the passersby, as they thronged the pavements.

     Jeremiah felt glad to be alive on this beautiful day and it showed in the way he played. Coins pattered into the open backpack in a shower of silver and copper. Then a folded ten pound note also fell into the bag. Jeremiah stopped playing and looked wide-eyed at his benefactor, astonished at such generosity.

     A halo of white hair surrounded a face like a wrinkled apple. Grey eyes, filled with humour, stared back at him. The old man smiled. ‘You play very well, especially for a street musician, but I think you have not had formal training?’

     Still taken aback, Jeremiah shook his head.

     A large, freckled hand patted his shoulder. ‘No matter, no matter. You have what a lot of street musicians do not possess.’ As he leaned closer the gentleman winked. ‘You have natural talent,’ he whispered, as if imparting a secret. ‘A great deal of it.’

     He ambled off, hands clasped behind his back as he strolled away. Jeremiah watched him out of sight. A glow filled the pit of his stomach and gave him a sense of well-being he’d never experienced before.

      Mr Greenstock, as he introduced himself, continued to stop by almost every day after that and although at first suspicious, Jeremiah soon learned the Norm had no ulterior motives; bit by bit a friendship developed between them.

     A retired violinist, Mr Greenstock also turned out to be a connoisseur of different cultures’ music. He taught Jeremiah to read both Norm and Elwyn notes, and helped refine his technique. It was he who told Jeremiah that the notes etched on the flute meant something special. He said they were an obscure form of Elwyn harmony called Tripolas, or music of the soul.

      With a curious sideways glance at Jeremiah, he’d said, ‘These are notes of power – the melody as a whole is “magical.”’ He’d handed the flute back and added, ‘be careful if you decide to play this tune, it could lead you down dangerous paths.’ 

     This turned out to be one of the last pieces of advice the retired musician gave.

     Jeremiah remembered the cold wet day, when he called round to his friend’s flat and found him dead. Apart from the priest he was the only other person present at the funeral; it seemed the old man had become somewhat isolated too…    

    

…Jeremiah pulled out of his reverie and glanced around the cellar. If only the old man was still alive. Before he met Mr Greenstock, he’d taught himself to play and displayed an amazing aptitude. He only needed to hear a piece of music once or twice to be able to play it by ear. Help received from his friend proved the nearest to formal training ever received – school certainly played no part in it; state education provided only basic literacy skills and in his case, sign language. Knowledge of the Elwyn tongue was picked up from the women at Ezra’s club. As with music Jeremiah possessed a quick ear for languages, a strange talent considering he couldn’t speak himself.  Angry at himself for wallowing in self-pity, he started to move past a table at which a party of drunken merchant sailors sat.

     ‘Here he is,’ one of them jeered, ‘the Pied Piper’s back with his little tin whistle.’ The rest of the group burst into sycophantic laughter.

     Jeremiah tried to continue towards the back of the room, but the loudmouth lurched to his feet. ‘Hey Crip-tongue, it’s about time you gave us a tune.’    

     One arm draped about the shoulders of a bored looking Elwyn girl, the sailor stood swaying, spittle oozing from the corner of his mouth.

     Jeremiah knew his companion. Her professional name was Kelly; she never used her real name at work. Tall and unusually curvaceous for an Elwyn, she had once been a student lodger at Ezra’s house, but fell behind with the rent. The old man demanded she pay off her debt by working as a waitress at his club. That’d been two years ago.      

     When she still lived at the house, she’d always ignored Jeremiah. Indifference turned to outright hostility when she started work at the club.

     In spite of this, Jeremiah felt sorry for her. She’d been an art student and spent hours in the ruined church next to the house, painting and sketching.  He’d managed to sneak a look at some of her work and although he knew little about art, thought the results quite beautiful. Part of her creativity was the ability to make images anywhere: walls, floors, the sides of buildings, even pavements, nothing deterred her – hadn’t deterred her; all that was in the past now. Like him, Kelly was trapped in this place – a lost cause – her talent swilled down the drain.

     Perhaps sensing his sympathy, she glared at him with baleful amber eyes. ‘Do as the man says, that’s what you’re here for.’ An added obscenity in Elwyn caused Jeremiah to flush with anger. Unable to answer, he went to his usual seat and once the flute was assembled, began to play.

    Conversations died into silence as the music wove its way around the dank, musty environment. Starved of beauty, as most of the patrons were, they soaked up the melody as though it was nectar. When it ended, more upset by Kelly’s contempt than he cared to admit, Jeremiah decided to leave. Despite being subject to such bile for most of his life, it still angered and hurt him. The usual solace he found in music was absent tonight; this place and its denizens were unbearable. He started towards the exit, but the same drunken sailor stepped in front of him again.

     ‘Where d’yer think you’re goin’? You ain’t finished yet.’

    Ezra shouldered his way through the throng. ‘That’s enough.’

    The sailor staggered around to face him. ‘Wha’? Are you takin’ the Elwyn’s part against me?’

     Kelly poked him in the chest. ‘He’s not Elwyn. He’s a half-breed.’

     ‘Shurrup an’ gerraway from me.’ He shoved her aside. ‘This little git’s not goin’ anywhere ‘til he gives us a few more tunes. After the crap way he played at The Crack ‘o’ Dawn las’ night he owes us that much.’

     Jeremiah felt the colour drain from his face.

    Ezra grabbed the front of his jumper.  ‘What’s this about The Crack ‘o’ Dawn? You little sod, you’ve been holding out on me!’

     He saw the blow coming, but was helpless to avoid it. Light exploded behind his eyes and he went down, blood pouring from his nostrils.      

     Lip curled in a snarl, the sailor grabbed the old man’s shoulder. ‘You stupid, senile old fool, how the hell’s he gonna play now?’

     He swung a punch at Ezra’s head, but it didn’t land. His arm was twisted up his back. Ezra shoved him forward and the sailor sprawled across a group of tables. As if ignited by a spark, the whole place erupted in violence.

     Men struggled with each other. Pieces of broken furniture were used as makeshift weapons and thudded into heads, faces and bodies. Women screamed and scrambled for safety, or joined in.  Jeremiah managed to grab his backpack and with a hand pressed to his bloodied nose, pushed his way towards the exit. Kelly forced her way through the crowd in pursuit.

     ‘This’s your fault!’ she screamed.

     She leapt at him, ready to rake with her long nails. He jumped back and she ran at him, but her tight silk dress and high-heeled shoes slowed her down. Jeremiah turned to run, only to cannon into one of the sailor’s cohorts.

     The seaman grabbed a hank of his hair and twisted it. Tears of pain rose as he struggled to free himself. A knife appeared in his attacker’s other hand, then suddenly the hold on Jeremiah was released. He fell forwards onto his hands and knees, and when he looked round the merchant seaman was curled up on floor, lost in his own private world of agony.

     Ezra dragged Jeremiah towards the door. ‘Come on you.’ When they were halfway up the steps, he said, ‘Get out and don’t bother going back to the house. If you’re there when I get home, I’ll wring your neck.’ He disappeared back into the cellar.

     As he staggered out into the cold night air, Jeremiah knew Ezra meant what he said, but to spend the night on the streets was unthinkable. He pulled the straps of the backpack over his shoulders and set out for the old factory on the outskirts of town. It wouldn’t be the first time he’d sought sanctuary in such a place and no doubt it wouldn’t be the last. How long he’d have to stay he didn’t know, maybe a few days to give Ezra a chance to cool down. 

     Sleeve pressed to his nose, Jeremiah stumbled away and wondered why trouble always seemed to follow in his footsteps.

The Dragonfly Saga

Posted in Short stories on January 5, 2012 by Kate Jack

The power of a Queen part I

 Dragonfly flew on above the forest, the glow cast by her multi-coloured wings a spark of light in the darkness. It felt wonderful to be back. Her magic, weakened in the world of men, would soon be at full strength again. She cast her gaze downwards. In amongst the tangle of trees and bushes her fellow sprites lived their tiny, immortal lives free of human interference, but not for long.

At last her destination came into sight. Merriadown Shee, an outcropping of mossy rocks, pitted with holes like  miniature caves and overhung by gnarled tree roots, was home to the pro-sto[1], one of the many woodland clans that inhabited the Forest of Sighs.

As she drew nearer, Dragonfly saw the glimmers of light that shone in the openings. She made for the largest of them and the sound of fey music drifted into her delicate, pointed ears.

The interior was lit by glow-worms, nestled in filigrees of flowers, woven from skeins of cobwebs, their petals shot through with silver wire. Strung in rows from the rocky ceiling, the night breeze caught them in its grasp, to spin them in an ever-changing panoply of colour. Emerald green moss made a rich carpet beneath the feet of the Shee’s inhabitants.

The Wild-Fey was a sight to behold and one that Dragonfly had sorely missed. Lords and Ladies in robes of silk and fur, strewn with precious gems, lounged on pebbles taken from the bottom of forest pools and polished to an opalescent shine. Maidens and youths danced alone or in pairs, their diaphanous garments changing colour beneath the lights, their fragile wings glittering. Groups of faerie knights, clad in armour that shone green and blue, stood around the periphery of the chamber exchanging tales of valour. They drank blackberry or strawberry wine from cups made to resemble golden daffodils, crimson poppies and graceful lilies; the art of their making known only to the fey silver and goldsmiths. Through it all ran the children, delightful imps clad in pink or blue, pretty faces rosy with merriment, voices shrill with glee.

Dragonfly drew in the heady scent of wine and watched the gathering with pleasure.

‘Can it be, or have I drunk too well this night?’

She glanced round and a dark, secret emotion woke in her breast at the sight of the sprite close behind her. He wore his olive green hair in spikes. His broad shoulders and muscular arms accentuated his narrow waist. He was clad in a knee-length tunic of forest green that complimented both the colour of his almond shaped eyes and the paler shade of his skin and wings. When he gave her a smile, Dragonfly felt as if she’d never been away. It was as though Litha[2] were here again and the Cotillion about to begin. She could almost feel his arms about her, as they had been on that far away Midsummer’s night.

Thorn swept his gaze from the crown of her head to her toes and his grin grew wider. ‘We thought you gone away into the land of mortals. Yet here you are back in this world and still far from home.’

He circled her and she turned to follow his flight. ‘I shall never fathom what brings such a one as you from the Sidhe courts to our humble gatherings.’ Thorn chuckled. ‘But then you were every wayward.’

‘’Tis not waywardness that brings me here, but a warning – one your folk would do well to heed.’

Thorn frowned. ‘Once before you came with ill-tidings and once again King Salmot will not welcome them – Queen Madrios even less.’

‘It matters not,’ Dragonfly said. ‘They must hear what I have to say. Will you take me to them?’

‘Gladly.’

As they began to cross the chamber, the music fell silent and all eyes turned in their direction. Head up and shoulders back, Dragonfly stared straight ahead. Yet despite her bravado, she was glad to have Thorn close by.

They came to a half opposite an archway hung with silken curtains. A clarion call of silver trumpets heralded the imminent arrival of the king and queen. The curtains drew back to reveal two stately figures.

A smile touched Dragonfly’s lips when she saw Salmot. She noted he was in his normal guise of a dark-haired, bearded sprite with the slanting green eyes common to most of the fey. His shoulders were broad and impressive, his robes so well cut they hid his paunch, the result of too many feasts.

Dragonfly knew to her cost that he did not always appear so. A well-known philanderer, he would sometimes adopt the guise of a slender, handsome youth in an attempt to entrap faerie maidens.

Queen Madrios had no need of such deceits. Fair of skin, with delicate features of unique beauty, her blonde hair fell past her knees. She wore a white gown that shimmered with every movement. A necklace of glittering blue stones, set in silver, enclosed her slender neck. A circlet of the same metal sat above her brow. She walked beside her husband, her hand on top of his. As they moved across the chamber, they acknowledged the bows and curtsies that marked their passage with gracious nods.

They came to a stop just short of where Dragonfly and her escort stood. Thorn bowed, Dragonfly did not. The King eyed her with barely concealed animosity – it would seem he too had not forgotten their last encounter. The Queen’s tranquil expression was belied by the coldness of her eyes.

‘What wonder is this,’ she said in her low, musical voice that nonetheless held a note of sarcasm, ‘our beautiful Dragonfly come back to us?’

‘Yes majesty, I bring news.’

The King’s hostility came to the fore. ‘Ever were you the bringer of bad news. This is scarce the time or place for such things. Besides, you are Sidhe-Fey. Why not go to your own people for help, why come to us?’

Dragonfly’s gaze swept the chamber. ‘It would perhaps be best if we spoke in private, sire.’

The King’s answer was forestalled, when Queen Madrios said, ‘How fond the Sidhe-Fey is of drama. Whatever your news, no doubt ‘tis something to do with the humans.’

‘Majesty-’ Dragonfly began.

The Queen held up a hand. ‘Remember your place and do not dare interrupt again. You may be of importance in your own court, but you are in my house now and will remember it.’

Anger and frustration fought with the need for diplomacy. Dragonfly bent her knee in a reluctant curtsey. ‘Majesty,’ she murmured.

‘We will grant you a private audience if you can prove to us the importance of your news,’ Madrios said, triumph in both her expression and voice.

Dragonfly raised her chin. ‘Indeed, majesty.’ She dipped a hand into the spell purse that hung at her waist. When she withdrew it, a small book lay in her palm. The King, Queen and Thorn drew close to stare down at it.

‘What trinket is this?’ Salmot demanded.

Dragonfly let the book slip from her hand. As it fell, it grew in size and hit the floor with a thud.

‘This,’ she said, ‘is the last of the Great Grimoires, written by King Bermegot himself.’

Salmot and Madrios’s eyes were full of wonder.

‘The Great Grimoire,’ the King said in a whisper.

When he began to reach for it, Dragonfly pointed a finger and the book flew back into her hand, dwindling in size as it did. She returned it to her spell purse and gave the Queen a cool glance.

‘Is that of enough importance to warrant your attention, majesty?’

For a long moment they held each other’s gaze, until Madrios said, ‘Very well, you shall have your private audience.’

She turned on her heel towards the arch. Somewhat in a fluster, Salmot was forced to scamper after her.

Thorn held out his arm to Dragonfly. As they followed in the King and Queen’s wake, he murmured, ‘Ever wayward – ever full of surprises.’

 

 


 

[1] Celtic for forest.

[2] Celtic for Midsummer.

 

For more short stories, articles and novel extracts, go to:

http://www.katejack.co.uk

The Dragonfly Saga

Posted in Short stories with tags on January 6, 2012 by Kate Jack

The Power of a Queen part II

 By the stiff set of his shoulders, as he led the way into a small, private chamber, Dragonfly knew King Salmot was not happy. She cast a sideways glance at Thorn. He gave her a worried smile.

The room was circular in shape. Hewn from the living rock, its uneven walls were threaded with veins of silver that glistened in the light from the great lamp. Hung from a chain set in the ceiling, its wooden frame held multi-coloured pieces of glass, which sent out prisms of blue, red and yellow. The only furniture was a round oak table and chairs, placed in the centre of the stone-flagged floor. The backs of the twelve chairs were carved into the likenesses of grinning gargoyles. The seats were the laps of the ugly creatures. The end of the chairs’ arms and legs were fashioned into bony hands and feet. Elaborate lettering was carved into the edge of the table.

‘“Speak forth the truth and knowledge shall be yours,”’ Dragonfly read. ‘Strange you should posses such an item, majesty, given your aversion to humans.’

‘The table was a gift from Myddrin Emrys himself,’ the Queen said coolly.’ As I’m sure you’re aware, he was not wholly human.’ She sat down. ‘The table was brought to the Otherworld at great cost. Since he was an emissary of magic, it would have been churlish to refuse him.’

‘Enough chit chat!’ Salmot said with a scowl at Dragonfly. ‘Give us your news and then go.’

She hid her amusement at his attempt to regain his authority and took a seat opposite the royal couple. Thorn stood behind her.

‘When I left this place to go to the world of men, we were at war,’ she said.

‘That has not changed,’ Madrios replied. ‘The humans continue to fight amongst themselves.’

‘I feared it would be so.’ Dragonfly leaned back, to all appearances at ease. ‘When I left, Queen Hazel had been stolen away from Mountfaeron. With her gone, and the other human queens missing, the time of Bermegot’s inheritance is over – or so it might seem. If we act now all can be as it was.’

‘What has this to do with us?’ Salmot interjected. ‘The fall of the human king’s house is of no interest.’

‘But it should be, sire. Do you not see? The invaders hate all magic-users. They fear and loathe the fey even more than those of their own kind.’ Dragonfly’s gaze went to her spell purse. ‘Bermegot swore to protect our race. It is written in his own hand in the last of the Great Grimoires. The men of this land fight and die, not only to protect themselves, but us too. It is not right that we stand aside and do nothing.’

Salmot seemed to reflect for a moment, then said, ‘What is it you want from us?’

‘Your help in ousting the invaders. If we side with the human peoples of this world, order can be restored and that can only bode well for our kind.’

‘You asked this of us once before and we refused. Why try again?’

‘You have great influence with the other Shees. One word from you would set them in motion. Together we can win this war and take back what is rightfully ours.’

Salmot rubbed his chin. ‘You give us too much credit, the other Shees have their own leaders; yet…’ His eyes went to the spell purse at Dragonfly’s waist. He took his wife’s hand. ‘What say you, my dear?’

Madrios cast her gaze down, as if to read the words engraved into the surface of the table. ‘This requires consideration,’ she said.

The king and queen’s eyes locked. Dragonfly looked away, not only out of politeness, but also to resist the temptation to eavesdrop. Some humans could practice Meabhir [1], or mind magic too, but their mentality was so chaotic, connection with their fellows was often unreliable.

At last Salmot and Madrios broke contact. The King stroked his beard again, the stones in his rings winking in the light from the lantern.

Madrios smiled. ‘The Great Grimoire,’ she said.

Dragonfly suddenly felt uneasy. ‘What of it?’

‘Will you share its secrets with us?’

All at once the chamber felt cold. Well aware that Salmot and Madrios were vain and selfish creatures, Dragonfly had nonetheless hoped to make them see the wider view. Now, as she watched Madrios rise from her seat, she thought to detect a streak of pure ruthlessness in the Queen’s eyes. She could only trust she was mistaken, for despite their differences they were still fey and as such shared a common cause.

‘I will not,’ she said in reply to Madrios’s request. ‘The Grimoire is not to be used in such a way, it is far too dangerous.’

There was silence for a moment then the Queen said, ‘You speak of unity, yet you refuse to share your good fortune with us.’ Her long fingers trailed across the table’s surface.

Dragonfly adopted an expression of boredom. ‘’Tis not unity you seek, I think.’

Madrios tried and failed to hide her fury. ‘You scorn us for our will to survive!’ she shouted, voice shrill with rage.

‘’Tis not your survival alone that counts here! I will seek elsewhere for help. You are not fit to join my quest.’

‘Yet your first thought was to seek our aid.’ The Queen now stood face to face with Dragonfly. ‘You speak fine words about the salvation of our races. Yet when called upon to act, you shrink back in fear.’ She snapped her fingers. ‘So much for your Sidhe-Fey nobleness!’

Full of revulsion, Dragonfly made no reply.

With an obvious effort, Madrios fought to regain control. ‘You have the last of the Great Grimoires,’ she said, making an attempt to sound reasonable. ‘It is powerful indeed, but only in the right hands. I do not seek it for my own use. As well you know it cannot be used by either of our peoples, only by a direct descendant of Bermegot can wield the Grimoire’s power. You travelled to the world of men with a purpose in  mind, perhaps to seek out the lost grandchild of Bermegot?’

When there was still no reply, the Queen smiled. ‘Your silence is telling. Perhaps you did find him.’ She paused and her eyes searched Dragonfly’s face. ‘Were you to gift the spell book to me, things might go better with you and yours.’

Dragonfly gave her a disdainful look. ‘I know your meaning, Madrios. You would hand it over to the invaders, hoping to secure favour for yourself.’ She braced her hands on the edge of the table. ‘It will do you no good.’ She switched her gaze to Salmot, knowing him to be the weaker of the two. ‘When they have all they want, the invaders will destroy you – wipe you from all thought or memory.’

Her only desire now was to leave this place and its sordid inhabitants. To be so blind, so foolish – how could she not have realised her folly in coming to them? She should never have shown them the Grimoire. It had been meant as a token of hope, but instead had woken avarice.

‘I know what lies in both your hearts. You would take to yourself the power the book holds and betray our kind,’ she said.

Salmot laughed. ‘“Our kind?” Once upon a time that might have been true, but now the Wild-Fey has no affiliation with the mighty Sidhe.’ He held out a hand. ‘Give to me the spell book and you shall leave here unharmed.’

Before Dragonfly could reply, Thorn took a step forward. ‘This is not wise, majesty. There are differences between us and the Sidhe, that is true; but should we not set aside our troubles and unite to drive the blight from our land? Only a very few of our Shees survive the invaders’ decimation. We cannot win this fight alone. The enemy encroaches further every day upon our territory – they must be stopped.’

Dragonfly gave him a look of surprise. Seldom had she known Thorn put himself at risk, self-preservation was his idol. She was grateful for his support, of course, but to judge from his masters’ expression he had opened up a world of trouble for himself.

Salmot’s face grew red with fury. ‘You dare to speak in my presence without leave? Do not think to deceive me; I see where you stand, at the back of that au-ber-o sï bledo [2], when your place is in my shadow! You are but a servant and have no part in this affair!’

Thorn paled, but there was resolution in his reply. ‘Your pardon, majesty, but I do. My life is here amongst the Wild-Fey and so I will speak. You must listen to Dragonfly. She too is a queen amongst her own folk and wise in the ways of humans.’

Madrios gave him a venomous glare, ‘Hold your tongue, wriganti [3].’

Thorn’s face took on a deeper hue at the insult. ‘Majesty, I know I risk your anger, but I will not be silent.’

The Queen’s smile was pure ice. With a flutter of gossamer wings, she moved forward until she came to rest in front of him. ‘You will not be silent, you say?’

Eyes full of fear, Thorn nonetheless said, ‘I cannot stay quiet any longer. All the folk wonder at your majesties’ lack of action against the invaders. Do they not fell our trees for their own nefarious purposes? Have not the Shees throughout the Forest of Sighs tasted their venom? Many have been lost to the steel and clamour of the Homeworld soldiers, forced down the path of di-reig-n [4] to scatter their very essence and accept di-to [5]?’ He drew in a deep breath. ‘How many more of our race must perish before it is lost and gone forever?’

The Queen’s expression did not change. ‘You have indeed found your tongue, Thorn, and it will cost you dear.’

She put a finger lightly to his lips. Too late Dragonfly realised what the Queen had done. As Madrios took a step back, the skin on the lower part of Thorn’s face rippled. Muffled protest poured from him, as his mouth shrank, then vanished. He fell to his knees, hands over where his lips had once been.

‘Lift your blight, Madrios, or I swear by Cerunnos himself I will -‘

‘What will you do, Dragonfly? You are inside Merriadown Shee and have no power over us.’

The King’s green eyes held a yellow light and his grin revealed sharp teeth. The Queen’s expression was once again serene as she took her husband’s hand. Dragonfly shook her head. What Madrios said was true. By Faerie lore it would be impolitic to cast a spell upon her hosts, but they had already flouted the rules of hospitality. If they wanted a fight then they could have one.

‘Thorn said it just now. Only a few of the Shees remained untouched by the invaders. Why would that be when they have the power to wipe out all? You must be in league with them.’

‘Careful what you say or I will have your tongue too,’ Madrios replied. ‘By luck or ill fortune you have the truth of it.’ Her expression was one of sheer malice. ‘You’ll not leave here to spread that knowledge.’

Dragonfly drew herself upright, ready to do battle. Within the confines of the Shee she could not take advantage of her ability to change size. So be it, the fight was on.

 


 

[1] Irish/Gaelic for mind.

[2] Proto-Celtic, literal translation: worthless she-wolf

[3] Proto-Celtic for worm.

[4] Proto-Celtic for wind.

[5] Celtic for death.

 For more short stories, novel extracts and articles, go to

www.katejack.co.uk

The Dragonfly Saga

Posted in Short stories on January 6, 2012 by Kate Jack

Power of a Queen part III.

 Dragonfly and Madrios faced each other across the round table. The creaking of the great lamp, as it swung on its chain was the only sound to be heard. Salmot, eyes wide and feral, watched in anticipation. Thorn crept into a corner.

Madrios held out her hands, palms upwards. ‘Wor-monijo [1].’ The table rose from the floor. The queen had shown her strength. A challenge had been thrown down – Dragonfly chose to accept it.

Ad-sor-o.’  Along with the word of power, a twitch of her little finger sent the table back to its former place.

The sprites’ gazes locked and the table shook. Groans and creaks from the tortured wood reached a crescendo, until the chamber was filled with the sound of its agony. The words on the table’s surface began to melt and then trick away over its edges. Beads of sweat appeared on the Queen’s brown, as the struggle for supremacy grew. Outwardly, Dragonfly appeared calm, almost serene. Only the wild beating of her heart betrayed her inner agitation.

As the tension grew, the air thickened. Neither sprite would give way and the table split apart.

‘Stay!’ Madrios’s command made Salmot, already half on his feet, slump back into his chair.

The Queen’s eyes remained on her opponent. Her cold fury filled the room with a swirling, grey mist. As she rose into the air, it wound itself around her body and transfigured her fey beauty into a vile mask of malevolence.

‘You think to outwit me? You think because you are Sidhe-Fey your powers are greater than mine?’

Her fingers raked the air. With a gasp of pain Dragonfly drew back, a hand to her cheek. Her fingertips came away wet with blood and she sent the Queen a look of pure fury, as she too rose into the air.

‘My powers are beyond your kind. Should I choose to do so, I could bring Merriadown Shee down about your heads!’

Cracks appeared in the rocky ceiling and dust began to drift down to the floor. The great lantern swung wildly and as its momentum increased, myriad colours slid across the chamber’s uneven walls. The glass in the lamp fractured and splinters flew around the room like a host of multi-coloured darts. Too late, Madrios brought her arms up to cover her face. Hair and gown streaming in the maelstrom of her enemy’s wrath, the Queen lifted her head, her own cheeks now mottled with tiny wounds.

A muffled protest drew Dragonfly’s attention to Thorn. His eyes held a plea she could not ignore. She let out a pent up breath. The lantern creaked to a halt and the wind died away.

‘Your arrogance will be your downfall, Madrios. Be thankful I feel merciful this day.

The Queen’s wings trembled, but her voice did not. ‘You do not know the meaning of mercy. You say I am arrogant, yet it is your kind who has left the old ways behind who show no respect for our ancient heritage.’ She made a gesture at the ruined table.

With a laugh Dragonfly said, ‘Such trinkets are the province of humans. For all their grand intentions, those who once sat round it are now dust, their high ideals gone the same way. Do not think that those you choose to ally yourselves with are knights of high honour? They are bringers of death and once your usefulness is done, they will crush you.’

Both sprites drifted back to the floor. The Queen went to stand beside her husband.

Dragonfly shook her head. ‘You strive to present a united front, but for all your bravado you know what I say will be so.’ She pointed to the table. ‘There lies your “truth”, broken as soon you will be.’

She drew Thorn to his feet and together they left the chamber.

 

 

 


 

[1] Proto-Celtic for: rise.

For more short stories, novel extracts and articles, go to: www.katejack.co.uk

An interview with William MacMillan Jones.

Posted in New Authors section with tags on January 8, 2012 by Kate Jack

I recently interviewed William MacMillan Jones, author of the recently published fantasy novel, The Banned Underground. With his usual panache and style, Will gave an insight into the world he’s created, where his influences lie and how through sheer hard work and persistence, he at last achieved his goal to become a published author.

Q. How long ago did you start to write Banned and what gave you the idea?

A.  I actually started what became The Banned Underground over 30 years ago.  And it was complete rubbish ( so not much has changed there…).  The typescript lay on a shelf then until two years ago, when on a whim really, I started a rewrite to turn a standard fantasy into something with a few jokes.  The first draft took me about seven months.

Q. What other genres do you read, apart from fantasy and have you written anything outside your usual style?

A. I actually read quite widely, but I do enjoy anything covering ancient Rome.  If you haven’t sampled any, Lindsey Davis is just brilliant.  The way she brings Rome at the time of Vespasian to life is amazing.  She’s being copied, but not equalled.  I also write some Paranormal, almost horror, speculative fiction.  But I don’t read horror.

Q. Which writer would you say influences you the most?

A. Tom Holt for his wit, and Robert Rankin for his inventiveness and the way he refuses to allow his plot to get in the way of the jokes!

Q. Do you plot your novels out, or write by the seat of your pants?

A.I’m a plotter.  I like to create a series of “storyboards”, much like a film maker or cartoonist will do ( only in words, obviously) and use these to guide me through the book.

Q. Do you have any set routine or schedule before you settle down to write?

A. Not really.  I have to try to balance writing with my full time business.  It isn’t always very easy, and a couple of times the writing took over, and when the dust settled I wondered where the next lot of bill money was coming from.

Q. Do you work in total silence, or do you find listening to music helps the creative juices flow?

A. I don’t have a preference.  Sometimes I’ve got some jazz on, or rock/blues, sometimes I like the quiet, if the characters aren’t talking very loudly in my head.  Probably when they’ve got hangovers, love them.  The gits can be noisy enough if I have one.

Q. How important do you think writing groups are?

A. I’m only in one, The Alliance of Worldbuilders.  I can say, without any hesitation ( but as much repetition as you like) that my stuff would NEVER have been published if I hadn’t been lucky enough to join.

Q. Is Banned a one off, or do you intend to have a sequel/sequels?

A. Ha!  The publisher, who may very well be insane, wants four books as a start.  The first sequel ( that’s number two for the non accountants) called, serendipitously ‘The Mystic Accountants’ is due out April/May this year.  The third , The Vampire mechanic is due for release in November, with the fourth book – Bass’d Out – scheduled for May 2013.  My horror piece, provisionally entitled ‘Old Memories’ is with a different publisher, and scheduled for a Feb/March 2012 release.

Q. What one piece of advice would you give to fledgling writers?

A. Don’t give up.  I got a lot of rejections, and got ignored a lot by agents and publishers.  If you write well, and you are driven enough, you will get there.  But you have to be motivated, and to stay positive through some pretty bleak times.

Q. Do you have a website or Blog that prospective readers/fans can go to, to see your work?

A. I do have a blog,  the website is under construction.  Like painting the Forth Road bridge .  I’m a bit of a technophobe, so mostly the publisher does some stuff for me.  www.safkhetpublishing.com.  I will have to get around to it before long, though, so watch this space….

 www.safkhetpublishing.com.

http://www.authonomy.com/forums/threads/83246/the-alliance-of-worldbuilders-part-ii/

An interview with Laura Diaz.

Posted in New Authors section with tags , , , , , on February 23, 2012 by Kate Jack

Q. Your novel, They call me Bianca, is tagged as Fantasy fiction and Christian Young Adult. The opening chapter introduces the MC as a mixed race Mexican/white girl, living in a poor neighborhood where status is everything and being “pure bred” is essential. What led you to decide on this particular culture and environment?

A. I grew up in Stockton myself, and a lot of the emotions that Blanca feels I felt growing up also.  My own children are of “mixed” ethnicity also, and that whole “living life in the hyphen” and search for identity is something they deal with themselves.  I wanted the character to experience life through the eyes of those close to her.  That whole, “walking in others shoes to understand them” deal, only for her it becomes literal.

Q. Your MC, her surroundings, and the other characters are very 3 dimensional. How did you achieve this?  For instance did you do actual research and/or draw up character Bios? 

A. A lot of the characters in the novel are a compilation of a couple of people, yet have their roots in the real “characters” I grew up with.  I’m smiling now, because I’m still friends with a lot of these people and now they’re going to read it just to figure out which character they are. 

Q. The initiation Bianca undergoes, in order to be accepted, is this based on fact?

A. It varies with each crew/gang; but yes, her specific courting in was something that was not unusual to that scene.

Q. Where did the idea for this book come from?           

A. I was having a Facebook conversation with one of my friends from high school that brought up a lot of old issues and memories, not all bad, mind you.  Consequently, that same evening one of my middle grade students, from a Wednesday night Bible Study I teach, asked me (very serious conversation), what happens if someone dies and they’ve never heard the gospel.   We had just gone over Romans chapter one that says all are ‘without excuse.’   It’s a hard concept to grasp.  I told him that our God is bigger than that.  If we trust that verse to be true, then we have to know that He’s not gonna let anything get in His way. Because He is both just and loving, somehow someway that person will have the opportunity to either reject or accept Him.

Well, like I said, that’s a hard concept for anyone, especially a teenager, to get their head around. What if someone really had never heard or given the time of day to anyone trying to share with them?  What if?   So I went to sleep with those two conversations in my head and woke up at three in the morning only to find myself madly typing out the rough draft of Blanca’s story. 

Q. Have you written anything else in a similar vein?

A. My other book, Come What May, is not Fantasy or YA genre and is written for Christian Women’s Fiction.  However, it does explore the theme of “what if?” 

Q. What kind of books captures your imagination and who are your favourite authors?

A. As I child, I read Christian fiction by C.S. Lewis and didn’t even realize it was an allegorical Christian tale!   I began my relationship with Christ as an adult, and the first Christian Fiction I ever read blew my mind!  It was, This Present Darkness by Frank Peretti and then his second one, Piercing The Darkness.  That man writes with spine tingling clarity, and gives the reader a “fictional” look behind the veil into the demonic.  At the time, I swore he was better than Stephen King.  Back then, Stephen King was the king of spine tingling for me.  Recently I’ve become a huge fan of Ted Dekker and his alternate worlds and realities.        

I like books that make me think outside of my own perspective and into the possibilities.  My God is so BIG that He is all ABOUT possibilities!  Of course, because I am a Bible believing Christian, the Bible is my ultimate authority on reality.  And just a few years ago I really started digging in deep into the stories found in there and I started reading them and imagining these characters as the real, flawed people they were.  Reading it that way, I got a whole new perspective on the Awesomeness of our God.  The fact that He uses the every day, cracked people we are- and loves us- blows my mind in whole different way!

Q. Where do you see your writing career in say ten years hence?

A. It is my hope that God will continue to wake me up in the middle of the night with stories He wants me to write down and tell.  I want the minds of our young adult readers to blossom and open to the possibilities!  I want to make a difference even if it’s just in a small way. To perhaps write something that offers that light and glimmer of hope we can’t see in the fog of this messy world.  One of my favorite quotes by J. Updike kinda sums it up for me, “I want to write books that unblock the traffic jam in everyone’s mind.”

Q. Do you have a website or blog where readers can view your work?

A. My author’s blog and web page can be found at: http://lauraadiaz.weebly.com/index.html

The book page for, They Call Me Blanca, is: 

http://lauraadiaz.weebly.com/they-call-me-blanca.html  You can download the first chapter and read for FREE. 

You can read even more of it FREE on: http://authonomy.com/books/36078/they-call-me-blanca/

Also, Come What May, can be purchased on Amazon or checked out for FREE from the Kindle Lending Library:  http://www.amazon.com/collection-short-poetic-musing-ebook/dp/B0059HBQY8/

Q. Did you make a conscience decision to become a writer?

A.I don’t think I consciously decided that I wanted to be a writer.  Writing is just something I’ve always done.  Ever since I learned to read, I also wrote stories.  My first story, written in purple crayon on construction paper, was about a little mouse family that moved into a neighborhood surrounded by some mean cats that didn’t want them there.  I was six at the time, and after drawing the pictures to complete the project, I went around the neighborhood and tried to read it to anyone who didn’t run away. I still write to tell stories, but my preferred tools are no longer crayons and construction paper.  

Q. Finally, what one piece of advice would you offer aspiring writers?

A. Oh, it’d actually have to be a quote from Robin McKinley, “For anyone who is: just keep writing. Keep reading.  If you are meant to be a writer, a storyteller, it’ll work itself out. You just keep feeding it your energy, and giving it that crucial chance to work itself out. By reading and writing.”

An interview with J C Rutledge

Posted in New Authors section with tags , , , on February 19, 2012 by Kate Jack

 

Q. Your novel, To Slay a Dragon, is classified as Young Adult/Fantasy, what made you pick this genre?

A. I wanted to write a book that anyone could enjoy – a book that parents could read to their children, but would also happily read to themselves. In creating this, the book fell into the Young Adult category on its own. As for Fantasy… I have always been in love with fantasy stories, movies, games – everything! The genre is so diverse that anything is possible. It gives readers a temporary escape from reality, while at the same time offering insights into the world and human nature. For me, Fantasy was the only choice.

Q. You’re very keen on dragons, what is it about these creatures that fascinates you?

A. I hardly know where to start. Dragons are creatures that have appeared in stories and mythologies across the world. Sure, different cultures have their own representations of them, but, somehow, the image of a fire breathing monster became present across the world before anyone was travelling extensively enough to spread the word. So, where did this idea come from? How did so many different minds come up with the same idea? Is it possible that these creatures could have existed, or did various cultures simply discover dinosaur fossils and decide that something so big must have the mystical power of fire? I doubt we’ll ever know until someone digs up a fossilized dragon!

In a fantasy world, dragons are magnificent beasts. They are beautiful, powerful, sometime wise and sometimes catastrophically destructive. They can play the role of guardian, counselor, steed, villain, monster, or just about anything else an author can come up with. I don’t think there is any other creature that inspires the human imagination quite like a dragon.

Q. Did you always want to be a writer and why?

A. The first time I decided I wanted to be a writer was when I was twelve. It was a short-lived dream because – as can be expected at that age – my writing was mediocre. When I was eighteen, I revisited the idea and took a writers’ craft course in school. That was where To Slay a Dragon was born – in the form of a short story that was read to the class and received demands for more. Again, it didn’t last long, largely because I felt I lacked descriptive skills. I still wrote here and there, but my attentions turned towards becoming a music teacher.

It wasn’t until January 2010 (I was now twenty-one) that I picked up the pen again. My fiancé agreed to lend a hand with any descriptions or scenes I got stuck on, so I committed myself to writing a little every day. In eight months, I finished my first novel and began work on the sequel.

As to the why, I would have to say I’m a writer at heart. I have all these great stories and ideas flying around in my head and I want to share them with the world! Besides, the stories make so much more sense on paper. There are days that I feel like I keep writing just to find out what happens next.

Q. Do you ever have days when you circle the computer and do anything and everything, but sit down and write?

A. Very frequently, however – with the exception of one week when I was very sick – I have written every day for the past two years. Even if it’s only one sentence, or editing a small section, I force myself to get some writing done before I go to bed. I know that if I let myself get away without writing just once, it will be nothing but excuses from thereon out.

Q. Where do you get your inspiration?

A. Anywhere and everywhere! All you have to do is look around you and you can see stories waiting to happen – or even hidden within other stories! The overall plot for my series was inspired by a video game, a few scenes came to me while watching movies or listening to music and some of my characters are inspired by characters in books I’ve read. I think the best thing for any writer to do is read, watch, listen, play! The more you experience, the more you have to work with, even if you’ve only collected the inspiration at a subconscious level.

Q. I always find I have my best ideas in the wee hours of the morning. When does inspiration hit you?

A. Usually first thing in the morning or late at night; the times of day when the world around me is quiet and the cursor is blinking invitingly on the screen…

Either that, or when I have no way to write down my ideas! Sometimes I think my brain is conspiring against me, it is most inconvenient.

Q. What path do you hope your writing will take?

A. I’d like to establish a large enough fan base that I can write full time. Then I would be able to expand my series – which already had eight books planned out and has potential for many more. Eventually, I’d even like to get to a point where I can do some collaborations; letting other people write stories in the world I’ve created and working with them to make it fit into the global plot line. After all, I’m developing a world as large as ours, with thousands of years of history; there will be far more tales to tell than I can manage alone.

Q. Do you have a blog or website where readers can view your work?

A. At the moment, Authonomy is the only place my work is available.

Q. Who are your favourite authors and why?

A. Terry Pratchett takes the top of the list, no questions asked. He is a brilliant satirist who has created a world and characters that just keep dragging readers onwards. Sadly, he is currently suffering from Alzheimer’s, but he is still holding on and writing more books – to me, that is the mark of a true artist.

Next would have to be Margaret Weis. I picked up one of her books when I was looking for something new to read, a book called Doom Brigade in the Dragonlance series. The thing that stood out to me the most about this book is that, as I read along, I noticed that the main characters were worshiping a goddess of evil! Yet, through the whole book, you were feeling sorry for and rooting for characters that, when all was said and done, were the villains in the world. The skill involved in doing that is the reason I now have a collection of her books, and I hope to be able to achieve the same thing some day.

The list goes on to include Tolkien, Rowling, Anne McCaffrey, R. A. Salvatore, but we’ll be here all day if I start explaining why I like all the authors I consider favourites.

Q. Finally, what one piece of advice would you offer new writers?

A. Just do it. Sit down and write, ignoring your own uncertainties, until you’ve completed your project. It doesn’t matter if you’re afraid you won’t get published, because you’ll never know until you do. One thing is certain though: if you don’t write, it will never happen. So, get out there and chase your dreams.

http://www.authonomy.com/books/33874/to-slay-a-dragon/

YA urban fantasy at its best.

Posted in General with tags , , , , , on February 17, 2012 by Kate Jack

The story: dark, dystopian, urban fantasy.

The hero: Jeremiah Tully, mute from birth, but an outstanding musician.

The villain: Ezra, an ogre of a man.

Read the first 3 chapters here: http://kateannejack.wordpress.com/

Interview with Hazel Butler.

Posted in New Authors section with tags , , , , on February 12, 2012 by Kate Jack

Q. Your novel, Chasing Azrael, is classed as fantasy, thriller and crime; what made you choose this particular combination of genres?

A. Genre is a tricky thing to pin down. Those particular tags were the ones I affixed to Chasing Azrael when I first uploaded it to Authonomy.com. They were chosen because, at the time, that seemed to be the best description. That was about a year ago, and it was a very early draft, very raw. The novel has evolved since then, as I have changed as a writer and gained the confidence to re-draft it as I really wanted it to be – I had envisaged it as a literary work, rather than a commercial work, but for various reasons (mostly my own lack of self confidence) it had become quite commercial.

There can be no doubting that Chasing Azrael has elements of the Fantasy, Thriller and Crime genres – the main character sees ghosts, and the plot revolves around a serial killer – however as a whole it is more Literary Fiction. I personally would label it ‘Literary Gothic’, due to the underlying themes, however there is no box for that on Authonomy!

Q. What gave you the inspiration for the story?

A. I was diagnosed with Bipolar Disorder in 2010, (after another) summer of severe depression. During that period I had regularly contemplated suicide and I had already, at that point, attempted it more than once. The diagnosis was helpful in many ways, it ‘explained’ my periods of extreme depression, the phases of ‘mania’ and a variety of other behavioral quirks I would never before have considered to be symptoms. It also raised a lot of questions, both about myself and about mental illness in general. The characters in the novel have to deal with several forms of mental health issues – depression, bipolar, and schizophrenia – with the cause of affects of each being different. The novel was a way for me to understand my own condition, a means of reminding myself (and hopefully others) of the damage that can be caused by acts driven by mental illness – such as suicide and violence – and ignorance of mental illness. It was a way to make readers more aware of the realities of such ‘conditions’ and show them how perfectly normal everyday people can be ‘mentally ill’.

Q. How did you set about drafting the story? For instance did you do character profiles or map out the setting, before you started to actually write?

A. With other novels, Death Becomes Me in particular, I have done a lot of drafting and planning. In the case of the High Fantasy series I really should finish at some point, I quite literally have hundreds of documents detailing character profiles, plot and scene summaries etc. With Chasing Azrael, I had none of that. I wrote a scene. I cannot now even recall which one came first. Then I wrote another, and another. They did not need planning as such, the plot germinated naturally and I then went back and wove those scenes together with extra pieces and lead-ins, lead-outs. At some point I had a first draft, which I uploaded onto Authonomy. I spent a while getting feedback and considering which comments were valuable, which were not, then I went through and did a second draft. I’ve lost count of how many drafts I have done now, but I am currently in the midst of yet another, this one very much focused on the literary depth of the novel as a whole.

Q. Why and when did you decide to become a writer?

A. I don’t know that it was a conscious decision; I just started to write. Certainly all through school, as far back as primary school, I wrote stories, both in class and at home. Family bugged me for years to write a novel before I actually got around to doing it. That wasn’t Chasing Azrael, that was a Frozen, the first of a whole series that needs a lot of work before it’s fit for viewing! Now I just write, all the time, whenever I have a spare moment.

Q. Are there any authors who inspire you?

A. Robin Hobb has been a huge inspiration to me in terms of fantasy– in my opinion her Farseer books are unparalleled within that genre. There are many, many others however, far too many to list – the likes of Victor Hugo, Dickens, Conan Doyle, Edgar Allan Poe and (of course) Shakespeare are the obvious ones, but they are by no means alone. Marian Keyes is a phenomenal writer, even though I generally regard chick lit as ‘fluffy’; Keyes has a way of getting to the heart of people and baring them for the world to see. I very much admire that. Terry Pratchett is my author of choice when I need to laugh, Neil Gaiman is a phenomenal writer… really there are too many to count.

Q. Do you think the stigma associated with self-publishing has now passed?

A. I think it is passing, I do not think it has passed. Certainly I know of several extremely good self-published books. But I also know of several hundred, if not thousand, self published works of ****. The issue with self-publishing still remains that it takes a great deal of work, all on the part of the author, to demonstrate that their work is not part of the latter, before anyone will even bother to read it. I do think perspectives are changing however, although I am not sure that the ‘stigma’ will ever pass completely.

Q. Are you a member of a writing group?

A. No. I do have several friends with whom I trade reads and feedback, but they do not all know each other, so it isn’t a group as such.

Q. Do you have a blog and/or website where your work can be viewed?

I have the beginnings of a website, although it doesn’t have a great deal on it at the moment; I haven’t had time to update it as much as I would like. www.aadenianink.com.

Q. What is it about speculative fiction that attracts you?

A. The freedom, I think; the notion that anything is not only possible but probable.

Q. Finally, what one piece of advice would you offer new writers?

A. Read. Read anything and everything you can get your hands on, then read some more. Read what you love, what you hate, read things that have been well written, that are poorly written, or so beautifully written you literally want to weep over the pages. Read things so bad that you want to tear your own eye balls out and erase the memory. Why?

How the hell else are you going to learn?

http://www.authonomy.com/books/33681/chasing-azrael/

http://www.authonomy.com/writing-community/profile/ea73bb25-be85-4c9e-a5c7-003bcdd8a33b/aiyana/

An interview with Sam Dogra.

Posted in New Authors section with tags , , , , , on February 12, 2012 by Kate Jack

Q. Your two books, The Zodiac Hunters and The Binding, are classified as fantasy. What else would you describe them as? For instance, who is the target audience?

A. Zodiac Hunters is a little hard to place. It’s set in a future where technology has regressed due to fossil fuels running out, so in a way it’s more like non-advanced sci-fi, but it has a lot of fantasy elements, particularly as the main plot is a “quest fantasy”. The closest analogy I could give would be a Tomb Raider/ Indiana Jones type story, with powerful, magical relics from the past causing havoc in the contemporary era.

The Binding is an easier fit as a romantic fantasy, and was indirectly inspired by two authors on the website Authonomy. It does exactly what it says on the tin…although if you read a bit more in depth you might call it an affectionate parody of the genre!

Both stories would go for the Young Adult demographic, although that’s not to say adults can’t enjoy them as well, or that their themes and ideas are “simplistic”. This is because YA is what I read normally, so I am familiar with its language and what readers tend to want from it.

Q. I know you work full time as a doctor, which inevitably means long hours, where do you find the time to write?

A. It’s limited. Because I can only work on fragments of story at a time, it is very hard to maintain coherence, and sometimes by the time I catch up and get into a story again my time is up! This was similar for me when I was a medical student, especially around exam time. I just take what spare moments I get, and am constantly wishing I had more.

Q. What was it that first inspired you to become a writer?

A. Unlike a lot of authors, I actually started by writing fan fiction when I was 14. I’ve always loved English, and around this time I changed schools, and it gave me something to focus on during the transition. I started with Sonic the Hedgehog, then moved on to anime (Tekkaman Blade, Shinzo, Neon Genesis Evangelion). Thankfully those pieces of utter dross have vanished into the ether, but I really liked the freedom of expression, and I still write fan fiction occasionally as practice.

Then one day I played a video game which inspired me to use my own characters for a change, and that was how Zodiac Hunters came about.

You can read a more detailed account of how Zodiac was created here: http://indigolightning.weebly.com/original-fiction.html

Q. Can you recall the first thing you wrote?

A. The first story I wrote was in my English Common Entrance Exam (13+). The essay question was a choice, and the third option was ‘Write a story based on the following picture’. It was a classroom door with a sign ‘Out of Bounds’ taped onto it. So I gathered my creative powers and wrote about two boys, Mark and Darren, who broke into the classroom. The door was actually a time portal, and the two got sent to Edward Jenner’s time, just before he was about to invent the vaccine. Jenner’s life was in danger, as the Duke of Manchester refused to believe a biological explanation to what he considered ‘God’s will’, and was trying to assassinate him. So Mark and Darren helped Jenner lie low, and inadvertently got him to discover the vaccination!

So obviously medicine was in my head from an early age (my father is a GP). I was going to take this idea further with a story called Blind Eye, but it never really got off the ground, and once Zodiac took over it faded from my memory. I still have the plot outline, so I might go back to it one day.

Q. When embarking on a new project, how do you marshal your thoughts?

A. Usually my ideas come in dreams- I will picture a particular scene or characters, and it goes from there. In the case of Binding, I was taking some blood samples to the Pathology lab when this image of a girl hiding in a forest because of a ‘vulnerable heart’ came to me, and so the moment I got home I just took it from there.

I use Notepad (a basic word processing program in Windows), starting with a title and a brief one line summary of the story. Then I scratch out a quick blurb, then write down short character bios (age, gender, personality, etc). Next comes an “odds and ends” section (for random world-building bits or scenes I have but don’t know where to fit them in the story yet), and then a detailed plot summary.

I am in my element with these outlines- I have fifteen already, and I find them immensely easy to write! However when it comes to turning them into proper stories, it’s much more of a struggle.

Also some of my inspiration comes from my own drawings- that was how Kaylen, the main character in Zodiac Hunters, and the Zodiac Beasts came to be. I drew them long before I even knew I’d write a story with them!

Q. What inspires you? For instance, is it people, places or situations?

A. Oddly enough, it seems to be video games and anime. It was a game (Eternal Darkness, for the Nintendo Gamecube) that inspired me to write Zodiac (I also happened to have a little thing for astrology at the time), and of the fifteen outlines I mentioned earlier, much of them borrow elements from fantasy RPGs (role playing games). I also love ancient mythology, and have two stories based on the Greek and Hindu myths waiting their turn.

Books haven’t influenced me that much, as I find my imagination has its own way of seeing and developing things that appears quite different to how other authors incorporate their ideas.

Q. What do you like to read and who are your favourite authors?

A. Ah, I was hoping for a question like this! Because the authors I like are not widely known, and I want people to know about them.

I read what I write- YA Fantasy- in most guises. My favourite book is Sabriel, by Garth Nix. This was one of the first books I read as a teen and I love it to bits. Can’t stand the sequels, though. I also liked his Keys to the Kingdom Series.

Another author I really like is Julia Golding. I read her Companions Quartet series (The Secrets of the Sirens, The Gorgon’s Gaze, The Mines of the Minotaur, The Chimera’s Curse), and loved the idea that mythical creatures and humans have bonded in secret over time. I also adore her book Dragonfly, and its sequel The Glass Swallow.

Other authors I have enjoyed are Alison Croggon- she wrote the Books of Pellinor (The Gift, The Riddle, The Crow, The Singing), which is perhaps the only high fantasy I’ve read that I’ve enjoyed thoroughly, and Mark Robson’s Darkweaver Quartet (The Forging of the Sword, Trail of the Huntress, First Sword, the Chosen One). I actually met Mr. Robson in my local WH Smith- he was a self published author long before the days of ebooks and the like, but he marketed himself so enthusiastically that he was picked up by Simon and Schuster. He signed my copies of his books for me, too!

More authors worth a quick mention: Herbie Brennan, Alison Goodman, Carol Wilkinson, Johnathan Stroud, Cornelia Funke.

And finally I’d like to include Lisa L. Wiedmeier, author of the Timeless series, as she was one of the authors who indirectly inspired me for The Binding, and another story that’s currently complete in outline form.

Q. Do you write your ideas down in longhand, or go straight to the computer?

A. I’ve mentioned this above with my Notepad routine- I start with an idea, try to get a general gist of the whole story, then characters, story elements, then plot.

One story I attempted to hand-write via a notebook while I was in South Africa on holiday, and I hated it because I was constantly running out of room to change things, so I’m sticking with my tried and tested method! And these days with smartphones and tablet PCs, it’s much easier to have a typing interface to hand.

Q. Is there a website or blog where readers can view your work?

A. For my artwork: http://sam241.deviantart.com

For my website (which has links to my novels, fan fiction, etc): http://indigolightning.weebly.com/index.html

Q. Finally, what one piece of advice would you give to new writers?

A. Write in a way that fits for you. Some people like writing their stories straight off, some like detailed outlines, some like thought maps, some like hand-writing, some like typing…try each method out and find one which you feel you’re comfortable with. Don’t let someone insist that one is better than the other.

http://www.authonomy.com/books/4549/the-zodiac-hunters/

http://www.authonomy.com/books/35067/the-binding/

http://www.authonomy.com/writing-community/profile/59df0230-6aa5-449c-b71c-90e65a7edc1c/vice-captain-sam/

Interview with Tricia Drammeh

Posted in New Authors section with tags , , on February 11, 2012 by Kate Jack

Q. Your series of books, The Claiming Words, consists of four books. Series tend to go in threes, so why four? Was it, for example, because you felt the characters had more to say, that the story could continue and offer your readers far more than a trilogy could?

A: The Claiming Words, Demon Fire, and The Bonds of Sacrifice are all written from the same two characters’ point of view, so you might be able to call the main part of the series a trilogy. The story continues with a shift in point of view. That book is a work in progress. The First Protector is a prequel, and is written from a different character’s point of view. To be honest, I could have ended the series with The Bonds of Sacrifice, but the book would have been monstrously long, or I would have left too many loose ends. And, so the series continues…

Q. Why did you choose to write for young adults, rather than children or adults?

A: There’s a simplicity to the style of writing in a young adult book. It tells it like it is. I particularly like the first person voice in a young adult book; it feels natural to me. Maybe I’m still a young adult at heart. The First Protector was written for adults, so I need to rewrite it so that it’s consistent with the rest of the series.

Q.  Do you ever write outside this genre?

A: The Fifth Circle is a departure from the fantasy genre, and although the characters are young adults, I don’t think it will be marketed toward that age group—it deals with some very adult themes. No one has read the book, so maybe a beta reader can help me nail down a genre. (hint, hint)

Q.  When did you first know you wanted to be a writer?

A: Less than two years ago. As a teenager, I had vague ideas about writing a book. I even started a book about eight years ago, but gave up fairly quickly. The Claiming Words is the first book I completed.

Q. Which writer/writers inspire you the most?

A. JK Rowling, J.R.R. Tolkien, Terry Goodkind, Tad Williams…I’m sure I’m forgetting someone.  

Q. What are your views on self-publishing?

A: Truthfully, when I completed The Claiming Words and began considering querying it, I had some pretty dim views on self-publishing. It seemed like a last resort option, or the kiss of death to one’s writing career. Boy, have my opinions changed! Self-publishing is the new frontier and the possibilities are boundless. I have nothing but admiration for those who take this route. It’s a lot of work, but the rewards can be substantial. The Claiming Words has a publisher, but I would definitely consider self-publishing future works.

Q. Where can your work be viewed or purchased?

A: A sample of The Claiming Words can be viewed on authonomy.com. There’s an excerpt of The Fifth Circle on my website. The Claiming Words will be available for purchase in August 2012.

Q. What is your proudest achievement as an author?

A: My proudest achievement was finishing the first draft of my first book. I’m a top-notch procrastinator and often fail to finish what I start, so when I completed The Claiming Words, it gave me an incredible boost of self-confidence. That confidence was shattered during rewrites and queries, but by then, I was completely addicted to writing. I couldn’t stop if I wanted to.

Q. Do you write full time, or do you have another job too?

A: I work full-time as an accounting clerk. If I have any energy at the end of the day, I write. The First Protector was written in a month, so after eight hours at the day job, I went home and wrote for about six or seven hours. Then I wrote all day long on the weekends. During that time period, I almost got myself fired from the day job and I alienated my entire family, so I try to take a more moderate approach now.

Q. Finally, what one piece of advice would you offer new writers?

A: Write with reckless abandon. Don’t worry about what the first draft looks like, because your masterpiece will be unrecognizable by the time you rewrite and edit. Get your story on paper and fix it later. Once you complete the first draft of the first book, there’s no stopping you.

http://theclaimingwords.com/

http://www.authonomy.com/books/33692/the-claiming-words/

Interview with Jim Darcy.

Posted in New Authors section with tags , , , , on February 10, 2012 by Kate Jack

Q. Your book, Firelord’s Heir, is a combination of Sci Fi and Fantasy, what made you choose this blending of genres?

A. I have always loved history, especially as my secondary school was formerly a medieval watch tower and manor house. I went on to study the subject at Nottingham University, where I specialized in the Medieval period, particularly the Wars of the Roses. However, I also grew up during the 1960’s when the possibilities of space travel and visiting other worlds gripped the imagination. It seemed logical to me to combine past and future history in my stories.

Q. Have you always written fantasy, or have you dabbled in other genres outside of speculative fiction?

A. Most of my stuff is fantasy, medieval or steampunk, but I wrote a contemporary ghost story for a Christmas anthology recently and I like to stretch myself as a writer by dipping into other genres.

Q. What was the first thing you wrote?

A. The first ‘story’ I remember writing was the Christmas story at Primary school, aged 7. We had to write from the point of view of one of the characters and I did mine as one of the kings!

Q. What is your take on self-publishing?

A. Self publishing is no longer just a vanity thing but has really come of age. Mainstream publishers no longer have the monopoly on the market and self publishing has empowered many writers who might never have been published to get their work out to the public. I think we would all like to be acquired by a mainstream publisher but self publishing is now a viable and, more importantly, respectable alternative.

Q. When you start a new piece of writing, how do you set about it? For instance, do you plot the whole thing out?

A. I often begin with a character and who, where, when and what they might be. I then think about the world they inhabit, the rules of that world and the ‘perils’ they might face. I tend to do a ‘mind mappy’ kind of thing of possibilities until I have the bones of the story. Then I begin writing and see what happens!

Q. Do you base your characters on people you know, or perhaps keep a certain person’s face in mind, when crafting a character?

 A. I keep an eye out for interesting faces, in the street or on the TV for example, and store them away until needed. I have an internal ‘rogues’ gallery that I call on when a character is called for. I use aspects of various people I know but I also let the character evolve their own personality.

Q. Are you, or have you, ever been a member of a writing group and if so, how useful do you/did you find the experience?

A. I’ve not been a member of a ‘real world’ writing group. Time, family and job constraints are among the reasons why not. The nearest thing, I suppose, has been Authonomy. I have learned a great deal from people on the site, both from comments on my work but also people’s comments on other writers.

Q. Who are your favourite authors and why?

 A.  A few of my favourites have to be:

Michael Moorcock. The very first proper fantasy book I ever read was The Sleeping Sorceress and it opened my eyes to a whole new way of writing story and character.

Katherine Kurtz. First for the Deryni series then the Adept books. Just great reading entertainment.

Roger Zelazny. The Amber books are excellent examples of first person POV writing and amazingly imaginative.

Jim Butcher. What can I say, the Dresden Files are magical!

Anne Bishop. The Black Jewels books have some flaws but the world portrayed is a vivid and original one.

Iain M Banks. His Culture universe is stimulating and thought-provoking.

Joan D Vinge. The Snow Queen, World’s End and Summer Queen books are very satisfying and well written.

Q. Do you have a website or blog where readers can view your work?

A. I am currently building a website: www.fantasywriter.co.uk. You can find out more about me, about the Firelord books and, coming soon, my new series, Mirrorsmith.

Q. Finally what one piece of advice would you give to people new to writing?

A. Write to entertain and interest yourself. You must want to read your stories yourself or why should you expect anyone else to want to?

http://www.authonomy.com/books/38718/firelord-s-heir/

Interview with Emily McKeon.

Posted in New Authors section with tags , , on February 8, 2012 by Kate Jack

Q. Your book, Mother of Monsters is based on Greek mythology, where did the inspiration for this come from?

A. I had seen a few tweets from agents I follow on Twitter saying there weren’t enough centaurs in books and how they would love to see one in their submissions. I forgot about the tweets for awhile, but the question of how to make a centaur a central character kept niggling at me. After a couple of weeks the idea for Mother of Monsters was formed.

Q. How long did it take you to write the novel?

A. The first draft was done in three weeks during NaNoWriMo. Since then, the beginning has been completely rewritten three times and the entire MS has gone through revisions several times over two months. It will continue to be edited and picked at until an agent and/or publisher wants to acquire it.

Q. Did you have to do a lot of research?

A. Hmm…depends on what you mean by ‘research.’ No matter what I’m working on, I always have internet search windows open on my computer and books on the subject nearby. I like to make sure things make sense and I’m not leaving a reader scratching their heads, wondering how certain things could be possible. Some projects require more referencing and cross-referencing than others.

 

With this particular MS, my research centered on finding the perfect Greek Goddess to use as an antagonist and on naming my characters. Naming characters is always one of my favorite parts of writing. The total research for this was minimal.

Q. Have you always wanted to be a writer?

A. As long as I can remember, I wanted to write. When I was eight, I wrote a whole series of ‘children’s books’ based on characters I had made up. Obviously they are nowhere near publishable, but occasionally I consider revisiting them to see if I can’t do better now.

 

Those stories were my springboard. My teachers and school library pushed me towards a writing career, even at that age. I went to college for writing, but put it aside when I married and started a family. It wasn’t until October of 2009 that I started back up.

 

My father was another big influence in my decision to write. When I was small, he would write stories for me and my siblings as bedtime tales. He never had the drive to get them published. Now they’re stored away in a box somewhere in his house. Maybe one day he’ll change his mind.

Q. Were you encouraged to write by friends, family, perhaps a teacher at school?

A. When I was a kid, I was encouraged by nearly every adult I came in contact with, from family to teachers. It was unfortunate none of them knew anything about the publishing industry since they all pushed me to submit my work. Let’s just say the rejections were enlightening.

 

The fact that so many people have supported me through the years has been encouraging. They may not have known the industry, but they knew what they liked and that alone has kept me going.

Q. Have you ever felt like giving writing up, if so, why?

A. I did give it up for several years to focus on starting a family and finding a job to *gasp* pay the bills. Since getting back into it, I have thought a few times of giving up; mainly when the rejection slips start to pile up. Lucky for me, I have a very supportive husband who refuses to let me give up.

Q. Do you have any other favourite genres outside of fantasy?

A. Writing-wise, I dabble in whatever works its way into my head. I’ve always favored writing short stories and plays, so novels were a challenge for me. Since taking that challenge, I’ve completed three. Two are YA fantasy and one is an adult fantasy. I also have several WIPs, of which, one is a satire, one is a thriller and one is part of a serialized detective series.

 

Reading-wise, I will read anything I can get my hands on. I’ve always been an avid reader and I hope my kids will be, too. My parents use to joke about how I was the easiest kid to babysit. All anyone had to do was sit me in a comfy chair with something to read and I’d be set for hours. I often came with my own book.

Q. What is your proudest moment as a writer?

A. This is a hard one. I have some moments that made me happy when I won a contest or saw one of my plays performed, but I think my proudest moment doesn’t have anything to do with my public writing.

 

When I put my kids to bed at night, they like to have a story read to them. Several times they’ve requested I tell them a ‘Mommy Story.’ When they request one of these it means they want one made up on the spot. As annoying as it can be, I can’t help but feel good that they want a special story, written by me.

Q. Do you have a website or blog where readers can view your work?

A. My blog www.theabsenteeblogger.blogspot.com has links to my work. I’m also on Twitter at @ERMcKeon and on Facebook under Emily McKeon, Author. I promise not to bite if anyone wants to follow me.

Q. Finally, what one piece of advice would you give to aspiring authors?

A. Don’t give up. I know it’s what everyone says, but that only means it’s something worth listening to. You’ll get rejections and bad critiques, we all do. The trick is to use it to make the next project better.

http://www.authonomy.com/books/40217/mother-of-monsters/

 

Interview with Kay Kauffman.

Posted in New Authors section with tags , , , , , on February 7, 2012 by Kate Jack

Q. Your book, The Lokana Chronicles, is classic fantasy. What attracts you to this particular genre?

A. To be honest, this is my first foray into the fantasy genre.  I haven’t read a lot in the genre, so comparisons to names like Terry Pratchett, Ursula K. LeGuin, and Robin Hobb are lost on me.  Tolkien and Rowling?  Them I know.  But as I really don’t care much for high fantasy a la Tolkien and I feel that magic a la Rowling is everywhere you look, I’m not really sure of the extent to which they’ve influenced me, since my writing is nothing like theirs. 

But all that aside, what I love about fantasy is that anything can happen.  Dreams can become reality and vice versa.  The thing is, the fact that anything can happen is also the biggest challenge in writing fantasy, at least in my opinion, because it still needs to be believable.  The challenge of creating something fantastic yet believable, in my experience, ultimately yields the most profound satisfaction when done well.  Also?  Fantasy is fun!

Q. Have you always written speculative fiction, or have you tried your hand at other genres?

A. I’ve dabbled quite a bit in other genres.  Most of my other projects have been of the chick lit variety (both novels and short stories).  I dabbled in horror and apocalypse in October 2011 as part of Authonomy’s Flash Fiction Friday competition thread (you know, the one run by everyone’s favorite zombie-loving sock) and, while I grew up reading horror, I’d never tried writing it before.  I’ve written poetry for fifteen years, give or take, and am currently trying to get an anthology of my poetry published.  I say “trying” because the website I’m using to self-pub is giving me loads of grief at the moment.  I’ve also written a few pieces for the flute, but they’re sadly amateur.  John Williams I am not.

Q. Writing can be a lonely occupation and it’s very hard to get published. That said, what drove you to become a writer?

A. I’ve always wanted to be a writer.  I can’t remember a time when I didn’t write.  As a teenager, I dreamed of becoming the next big thing to hit the bestseller lists, making boatloads of money, and having legions of adoring fans.  Then I grew up.  I know all that is just a pipe dream and that it will likely never happen; I would be satisfied with simply earning enough from my writing to be able to quit my day job (or at least cut down to part-time).  I’ll keep writing even if I never make a dime from it, though, because I love it too much to ever quit.

Q. How many novels have you written?

A. Off the top of my head, I’d have to say six or seven.  I produced several cringe worthy novels during my teen years, but there are a couple that I believe have enough merit to warrant the major rewrites it would take to make them potentially salable.  The Lokana Chronicles is the first novel I’ve written that I’ve truly believed is worthy of publishing.

Q. Where do you derive your inspiration from?

A. For The Lokana Chronicles, my inspiration came from a story I began (but never finished) co-writing with a friend in high school.  What we wrote was complete dreck, but I loved the story’s premise.  I’ve also drawn inspiration from music, soap operas, and a teenage crush.  The resulting work either needs some serious help or has been completely scrapped.  I still have most of the things I wrote when I was younger as a reminder of how far my writing has progressed over the years and every now and then, I look back at them and alternately laugh and cry.

Q. What is your ultimate goal as a writer?

A. My ultimate goal as a writer is to make a comfortable living doing what I love – providing an entertaining escape from the drudgery of the real world.

Q. Do you have a blog or website where readers can view your work?

A. I do!  You can find me at http://suddenlytheyalldied.com.  I’m also on Twitter (@kaysielynn).  A sample of The Lokana Chronicles is available at http://www.authonomy.com/books/25729/the-lokana-chronicles/.

Q. Rejection of your work can be very depressing. Have you ever had a submission knocked back and if so, how did you deal with it?

A. I’ve not suffered the crushing blow of rejection…yet.  The only writing samples I’ve ever submitted anywhere were articles for my local newspaper (and since I was employed there at the time, I really didn’t stand much chance of being rejected) and short stories in a couple of anthologies that have come from the efforts of the wonderful people on Authonomy’s forums.  416 was released in the fall of 2011 and the as-yet-untitled (to my knowledge, anyway) anthology from the Alliance of Worldbuilders is due out this spring.  As for coping skills, I intend to have my husband standing by with alcohol at the ready, followed by large amounts of water and Excedrin for the resulting hangover.  After that, it’ll be back to work.  I’m a stubborn one like that.

Q. Do you find writing groups, such as The Alliance of Worldbuilders on Authonomy, useful?

A. I’ve found the Alliance of Worldbuilders to be incredibly helpful.  It’s the only actual writing group I’ve ever been a part of, but I’ve learned a lot from everyone and hopefully I’ve been of some use to them in return.  It’s really wonderful to have such a great group of people to bounce ideas off of and to receive feedback from.  And everyone is so nice!  I just can’t say enough good things about my experiences with the Alliance.  Everyone should be lucky enough to be part of such a great writing group.

Q. Finally, what one piece of advice would you offer to aspiring writers?

A. Learn as much as you can.  Keep reading, keep writing, and stay stubborn!  Persistence pays off in the end.  If I thought long enough, I could probably come up with a few more clichéd pieces of advice, but they’re clichés because they’re true.  Don’t give up!

http://www.authonomy.com/books/25729/the-lokana-chronicles/

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